Spotlight on: Diana Boulay,Sculptor

August 2005    By: 

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Dominique Normand
Alfred Pellan
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Nicole Rozon
Gilles Sanscartier
Richard Sunerton
Pierre Trahan
Sheila Watson

 

 

 

 

 

 

 

 

 

You may click on images to enlarge. 

This article submitted to Le Régional August 23rd, 2005, only a small vignette was printed with one photo.

Look at me!  I’m talking to you!  

The 2nd Festival « Recycl’Art » opens Saturday, August 27th, at 2 p.m., at the Regional Contemporary Art Center of Montpellier.  Some of the 38 participating sculptors are from the Laurentians and the Argenteuil region in particular.  Diana Boulay, of Brownsburg-Chatham, who just concluded an exhibit at the centre, will also participate with two of her installations.  Diana is an artist who thrives on creating beautiful installations with non-biodegradable cast-offs. 

Diana’s 12-column installation, shows her style of assembling plastic objects of gradual changing tones of the same colour.  Each grouping is encased in Plexiglas.  The columns tower over us, displaying the debris we accumulate.

Not all of Diana’s installations are monochromatic.  Some are made of a cheerful even playful array of colours, such as the seemingly innocent looking installation entitled “Hors d'oeuvres in Galorica”.  A city-landscape made of colourful cocktail picks, cutting guides, spoons and circles.  There is light emanating from the city, yet there are also chemical fallouts over the city. 

Another colourful work  completed in 2005, is “Faces”.  It  represents our times, with a myriad of cast-away doll faces, tightly imprisoned in a Plexiglas box.  Cartoon, children story characters, and skeletons, thrown together, no place to hide...doomed, humans squeezed by their own discards, or by the powers to be.  It is so colourful and cheerful that one is drawn to look at it....then the mind starts working. 

Diana’s piece J’te parle is a woman's body made of fridge racks, parts of a fan and other chrome found pieces.  The pieces of this installation are hooked onto each other, without being affixed.  The mouth is made of a Slinky and so are the woman's breasts.  These parts are moving constantly with just the  breeze from the window.  Diana says that it represents her.  She talks to us about the multitude of throw-away objects that scatter our world.  Diana stands there and tells us "Listen to me! I am talking to you!"

Many of Diana's installations are whimsical yet, deliver a very serious message.  For years, Diana  accumulated a great deal of refuse.  She says: “I never threw anything away.”  From paper clips, to strawberry containers, to bottles, to broken toys, to metal and wood pieces.  She separates the objects by colour and material, then creates beauty from garbage.  Sometimes she starts putting things together and the image gradually appears.  She just lets herself go.  She told me that in art school at UQAM (BFA 1981), they called her the "Garbage Alchemist".  Diana Boulay exhibited in Canada and the United States.  Her work was reviewed by several art magazines, including Art in America.   

It would be a worthwhile trip to see what our sculptors do with recycled material at the “Centre régional d’art contemporain de Montpellier” : 19, rue Principale, Montpellier

Open Wednesday to Sunday from 10 a.m. to 4 p.m.  Tel.: (819) 423-6257 e-mail: ch2o@sympatico.ca, website: http://cf.geocities.com/cracmontpellier.

 

Colours and dimensions artwork may be slightly different from the original.

Home | Gina Antinozzi | Daniel Barkley | Barbara Beisinghoff | Bergeron-Reis | Louise Bloom | Diana Boulay | Victor Court | A.Destroismaisons | Barbara Elmslie | M. Abbey Fraser | Jarmila Kavena | Monique Laramée | Susan Lee | Charles Lefebvre | Tineke Lentink | Anne McLaughlin | Florence McMaster | Luc Melancon | Guy Montpetit | David Moore | Dominique Normand | Alfred Pellan | J.J. Pharand | Clode Pilotte | Nicole Rozon | Gilles Sanscartier | Richard Sunerton | Pierre Trahan | Sheila Watson

This site was last updated 05/06/06   Copyright © 2004 Ilania Abileah. All rights reserved.