Spotlight on:  Armand Destroismaisons, Sculptor 

Photo on the left: Armand Destroismaisons, June 10, 2004.                 by: Ilania Abileah September 2003

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            You may click on images to enlarge. 

Upon arrival at Armand Destroismaison’s place it is evident that a sculptor is at work here.  Two large, already chiselled, stones are placed in front of his stonework studio at the bottom of the hill.   Looking up one sees a splendid display of very tall metal creations towering over a rosebush pathway by a marvellous rock garden.    This first view tells you right away what Armand is all about!

The three-roofed façade structure that Armand built this summer explains his name “Destroismaisons”.

Love and respect for nature in all its forms and the constant need to create art objects that tell us we live in a precious world that needs to be cherished, and protected.  Armand is an artist who loves Mother Earth, its elements and its people.  He generously imparts this love and his ideas of how to improve man’s existence in this world.  Yes, he is an environmentalist and is concerned with ecology and, universality.  He endeavours to sensitize us to the dangers of consumerism and globalization as these are presently exercised.  Cherishing each day for the gift of life, Armand erected Circa -Temps d’une Journée, a bronze-covered monument seen at the top of his rock garden.

Combining different materials – Steel, wood, acrylic (Plexiglas) and, ceramics Armand generates a sense of connection with each element.   In Panerogamme -(Panero=visible, Gamos=marriage.) he is using static, seemingly lifeless forms to pay homage to plant life.  The suspended ceramic cone-like shapes represent antibodies protecting plants from harms way.

Another example of describing life with rigid hard elements is “Au sein de mon éspace”, stone encased within metal – contradiction and synergy.  The stone part made me want to caress a belly with its embryo.  Armand’s capacity to transform found objects into living testimonials that generate warm sensations is absolutely mind-boggling. 

Demon du Midi, is a mask-like work-in-progress.  It reveals Armand’s warm sense of humour.  At present it is a bearded masculine form.  However, it will be transformed to feminine.  Armand explains that Lucifer was a female demon (Lucie), thus the statue will have roses in its hair!  Roses are Armand’s passion.  He attributes roses with life-enhancing forces.  There are 300 different kinds of roses in the garden surrounding his house and (3) studios

(In addition to the stone studio, an old barn serves as his wood and metal shop and, an open-air shelter overlooking Lake St. Marie, is where he works in the summer to the sound of music.)

Lupanar, is made of bicycle pads, Car motor valve, stocking hangers, mattress springs and a face made of clay.  This made me think of a biblical goddess yet made me laugh with Armand who thinks that humour is quite necessary in art.  Yet he does not shy away from dealing with pain.

Albatross is a wooden sculpture that talked to me about physical hurt and pain.  This form stands there so lonely and when you get closer, you see the injuries carved in wood.

Le Grand-Brûlé, (no photo) deals with the excruciating pain experienced by a 90% burn victim.  A friend of his spent 6 months covered in a dome while undergoing grafting surgery.  The sculpture is made of leather stretched with screws over various rounded forms and a glass dome. 

Armand’s response to the 9/11 disaster, “À la recherche de la paix” describes the 5 continents, a missile and, a heart that is not yet open to accept love and peace.

His 3.40x1.24m Migration, (no photo available) which was displayed in front of the Morin Heights Library during Route des Arts, is another structure of metal and wood dealing with the hardships of humans and animals due to change.

Armand always has at least 4 or 5 pieces in progress.  Some are large- scale (3.5 meters) some small (10 cm), and in different materials.  This way he keeps changing his physical activity, while his ideas galvanize.  The round-topped Cadran solaire, sundial (seen in the middle of the garden) is almost finished.  Au Jour Le Jour will reach to the skies with the four-seasons for which he prepared 365 ceramic bells each marked with the date, will be completed shortly.

Armand has been a member (and past president) of the Lions club of St. Adolphe d’Howard a club helps people with visual problems for the past 25 years.   He is also the president of the Quebec Sculpture Council.   (Image shown here is Kaleidoscope, now exhibited at Christ Church for the duration of Route des Arts 2004.)

In the past Armand has dabbled in watercolours, aquatint prints, drawings and paintings.  Some of these creations are still in the house.  The house he lives in since 1978 was built in 1820.  Armand transported it from St. Gervais (in the Bellechasse County near Lévis).  He made repairs and, added a sun porch on which he can relax with a beer and enjoy the wonderful sight and smell of his invigorating rose-garden.


Colours and dimensions artwork may be slightly different from the original.

 Home | Gina Antinozzi | Daniel Barkley | Barbara Beisinghoff | Bergeron-Reis | Louise Bloom | Diana Boulay | Victor Court | A.Destroismaisons | Barbara Elmslie | M. Abbey Fraser | Jarmila Kavena | Monique Laramée | Susan Lee | Charles Lefebvre | Tineke Lentink | Anne McLaughlin | Florence McMaster | Luc Melancon | Guy Montpetit | David Moore | Dominique Normand | Alfred Pellan | J.J. Pharand | Clode Pilotte | Nicole Rozon | Gilles Sanscartier | Richard Sunerton | Pierre Trahan | Sheila Watson

This site was last updated 05/05/06   Copyright © 2004 Ilania Abileah. All rights reserved.